Westcoast Tasmania

Change the fortunes of a remote region

Tasmania’s West Coast is wild, rugged and remote. The harsh and unforgiving land and weather has always forced people to live on its terms. With declining heritage industries, the region needed to overcome the area’s remoteness, lack of profile and a declining population and breathe new life into Tasmania’s remoter region in order to attract business investment, facilitate economic development, drive population growth, and encourage people to investigate beyond the more well-known parts of Tasmania.

Place Branding Identity Generator Illustration

"When we received the brief for the West Coast Branding Project, there was one word which stood out, page after page: Community."

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120+ lorem

On the street, over coffee, and in a cave, with everyone from business owners to bee-keepers.

50+ site visits

Hiking up Quamby Bluff, line-dancing with locals, harvesting homegrown veg and meandering through the region.

3 workshops

Held across four different towns, with a wide cross-section of the community.

7 local groups

Welcoming us in with open arms — from the Footy Club, to the Grower’s Club.

Strahan Community Meeting

Our radio debut on 7XS, coverage of the project in the local Advocate newspaper..

..and a couple of not-so-happy letters to the Editor.

Working with extreme transparency

Working with the West Coast Council, tourism operators, and the regions 4,000 residents, the project set a new standard for comprehensive community consultation and regional branding in the local government and tourism sector over the course of a 10 month period. The new brand identity embraces the West Coast’s confronting history in a story that distinguishes it from the rest of the country. A whole of region brand was needed to shift perceptions about the area. The Identity took an open and inclusive approach, through an open source brand system that the entire region and community could utilise, to tell their own stories that collectively shape a cohesive identity for the region. Building an open source brand identity meant the identity system needed to be highly accessible and usable by any of the West Coast’s residents, tourism operators and business owners in the West Coast. We created a set of identity elements that allow a multitude of anecdotal, distinctly West Coast messages to be expressed. Coupled with a bespoke typeface, iconography, and a photography library that defies the usual tourism imagery, the region can convey a coherent narrative and regional style, whilst maintaining the individual personality of each town, business or initiative.

As an open-source identity system, every aspect is free to use by locals in the region, providing the tools to communicate effectively, where these would normally be cost prohibitive to anyone but large tourism operators to use.

We worked with Australian illustrator Marco Palmieri to develop a suite of illustrations and iconography that can be coupled with type and language, to further express the rough and ready life personality, and demonstrate the past and present history and environment of the region and towns.

Looking at the best place brands around the world, for example New York, New Zealand or the official-unofficial Kentucky brand, they communicate much more than the what-to-dos, why-to-gos or how-to-invest, they give you the feeling you’ll get when you’re there. When we were speaking to the West Coast community, that’s what we were trying to find — the unique character, spirit and feeling of the people and the place.

“If you accused them of being Tasmanians they’d say, certainly not, we’re West Coasters”

ABC West Coasters

The landscape and produce became our palette, featuring plump raspberries, flowering dahlias, native honeybees and soft, green grass. And of course, the fertile soil from which it all grows.

Dos & Don’ts: Where we leaned to wear Blunnies, bring a crayfish, not to mention the Dam, and to never knock a West Coaster.

"When we received the brief for the West Coast Branding Project, there was one word which stood out, page after page: Community."

Bec Lester

Credits

Recognition

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Design – Jason Little, Johanna Roca, Pete Conforto, Ed Hall, Kris Andrew Small, Bec Cini, Mel Baillache, Marco Palmieri
Strategy – Amanda Gordon, Rebecca Lester, Damian Borchok
Storytelling – Mat Groom

Collaborators
Digital Agency – Sons & Co
Illustrator – Marco Palmieri
Typographer – Mathieu Reguer
Digital Agency – Sons & Co
Photographer – Ollie Khedun
Aerial DP – Hayden Griffiths

Film Production Company – Börja
Producer – Jordana Johnson
Music Composer – Saxon Hornett
Colour Grade – Tim Wreyford (The Hive)
Sound Mixing – Ollie Khedun

West Coast Council & Community Lead – Christine Gray
Council Team – Eleanor Strang, Vicki Iwanicki

D&AD 2018 – Writing for Design, Storytelling (Wood Pencil)

Good Design Awards 2018 – Communication Branding and Identity (Gold)

Best Awards 2018 – Graphic, Large Brand Identity (Gold)

Featured
Brand New
It’s Nice That
BP&O

Acknowledgement of Country

Acknowledgement of Diversity


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